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Music career 2002–08: No Limit and Young Money In 2011, Franklin founded the label Jet Life Recordings. He was one of the original members of Young Money Entertainment, a label founded by Lil Wayne. Shante Scott Franklin (born April 4, 1981), better known by his stage name Currensy (stylized as Curren$y) is an American rapper, songwriter, entrepreneur and record executive. The self-releases continued into 2017, with the Jetlanta EP and The Fo20 Massacre. In 2016, the rapper issued over a dozen mixtapes, including collaborative efforts with the Alchemist (The Carrollton Heist), Purps (Bourbon Street Secrets), and Sledgren (Revolver). That same year, the 'Bottom of the Bottle' single featuring Lil Wayne and August Alsina appeared right before the release of Canal Street Confidential, an album where the MC toured and road-tested the songs before he decided on the final track list. In 2015, the album Pilot Talk III was released on a $100.00 USB key made available from the rapper's Jet Life website, while the EP Even More Saturday Night Car Tunes landed through more traditional distribution channels. League and Pharrell, was back for the rapper's 2012 street release, The Stoned Immaculate. The stopgap release Weekend at Burnie's followed in 2011, with the retro backing tracks coming from producer Monsta Beatz. With the label's in-house producer Ski Beatz handling most of the production on both, Curren$y's Pilot Talk album appeared in July of that year, with Pilot Talk II landing in 2010.
The relationship continued that October with the download-only Jet Files, but in early 2010 he joined the Def Jam family via Damon Dash's DD172 imprint.
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After leaving the label at the end of 2007 with Fly Society in tow, a series of underground mixtapes appeared before Curren$y hooked up with the digital-only Amalgam Digital for the early 2009 release This Ain't No Mixtape. The brand was originally planned as a line of apparel, but evolved into a music label as the rapper's relationship with Young Money soured.
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Not one to sit idle, Curren$y started Fly Society with professional skateboarder Terry Kennedy in 2007. He appeared on Wayne's Tha Carter II album that same year, and in 2006, Curren$y's 'Where da Cash At' single was released - both on its own and as part of Wayne's Dedication 2 mixtape - but a promised album never materialized. Born Shante Anthony Franklin and raised in New Orleans, Curren$y was originally signed to Master P's No Limit label, but in 2005 he made the move to Lil Wayne and Birdman's Cash Money imprint, Young Money. Thanks to his smart lyrics, the Louisiana-based Curren$y landed a label deal in 2003, but it took three labels and seven years of underground releases before the rapper made his official debut. Artist PlaylistsSee All Singles & EPsSee All CompilationsSee All Appears On Ain't No SunshineSee All About Curren$y With iMazing, you can choose music on your computer and copy it to your iPhone, iPad, or iPod touch. You may simply want to select some files and transfer them to your iOS device.
CURRENSY PILOT TALK TORRENT HOW TO
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Check out Curren$y's full Free Discography at - Download/Stream Free Mixtapes and Music Videos from your favorite Hip-Hop/Rap. Rap album sequels are a tricky and often disappointing lot.Category Music Song Justified and Blown Away-13855 Artist Curren$y Album This Aint No Mixtape Licensed to YouTube by AdRev for a 3rd Party (on behalf of HDMN. While there are two great ones (Raekwon’s Only Built 4 Cuban Linx 2 and Dr. Dre’s 2001), most sequels are a cheap marketing ploy from a desperate artist attempting to reclaim relevancy or a quick cash-in from star of yesteryear hoping to bank off a disillusioned fanbase’s nostalgia. Fortunately for us, Curren$y comes from a long line of New Orleans rappers whose successively released sequels (Big Tymers’ How U Luv That Vol. 2 and B.G.’s Chopper City in the Ghetto) proved not only just as good, but were logical extensions and arguably, better than their originals. With production handled by reliable veteran Ski Beatz (Camp Lo’s Uptown Saturday Night, Jay-Z’s Reasonable Doubt) Pilot Talk became the latest on the short list of recent rap albums critically championed for having a certain subtlety that allowed for infinite replay value. That’s not to say such a feature is rare in the genre, rather Pilot Talk had something of an intangible “it” factor that compelled listeners in an over-saturated climate to stick with it long enough to realize how much it truly had to offer.
Even those – myself included – who initially didn’t feel Curren$y’s stoned-out performance did Ski’s production justice eventually came around to realize exactly what made his contributions so great.